Monday, December 31st

BUY TICKETS: Early Show – 7:00pm / doors at 6:00pm

BUY TICKETS: Late Show – 9:30pm / doors at 9:00pm (w/ special guest, Gareth Asher)

Advance general admission: $20

At the door: $22

Table of 4 reserved seats: $100



MICHELLE MALONE is an American award-winning singer-songwriter and guitarist in the folk, blues and Americana genres. Armed with a bottleneck slide, harmonica, and her signature soul-filled vocals, Michelle Malone was born in the Deep South and grew up listening to her mother sing in the church choir every Sunday. When it came time to craft her own sound, she took those religious roots, and blended in enough rock, folk, and country-blues to satisfy. The result is, Debris, a high-spirited stripped down blend of rootsy acoustic slide, gritty electric blues and explosive vocals that harkens back to the lost recordings of Bonnie Raitt, Lucinda Williams and The Rolling Stones.

Debris, Michelle’s 10th release, is easily her most revealing and emotional recordings to date. Malone found herself tackling some serious subject matter while at the same time making that spirited soul-shaking music that she loves. She says, “I have to play these songs every night, so I need them to be fun – I want to have a good time, too.” If one line could capture the sentiment of Debris it would be, “Don’t you think it’s time to let your childhood go?” Michelle expounds, “Debris is basically a breakup record about a relationship that had me in a state of arrested development for over a decade. I wrote about the anger, the heartbreak, the humor, and the relief I finally found in the end.”

Helping her capture the mood is producer Nick Di Dia (Springsteen, Pearl Jam, Train, Matthew Sweet). Says Malone, “Nick is brilliant, and we found that we work very well together. He was able to translate the live grit of “Feather In A Hurricane” and “Undertow” and in the next breath illustrate his sensitivity and finesse on “14th Street and Mars” and “Debris”. He let the songs take us where they wanted to go. Joining Malone in the studio were long time friend and heavy hitter Peter Stroud on guitar (Sheryl Crow), Phil Skipper on bass (Tinsley Ellis, Drag the River), Tony Reyes on keys (Dallas Austin, Gwen Stefani), and Dave Anthony on drums (Ike, Butch Walker).

The names of Michelle Malone’s ten albums serve as an autobiography; New Experience, Relentless, For You Not Them, Redemption Dream, Beneath the Devil Moon, Home Grown, Hello Out There, Stompin’ Ground, and last year’s critically acclaimed Sugarfoot. Over the course of her 20 year career, Malone has appeared on countless “best of” lists and has been the recipient of such awards as Best Female Vocalist (five times) and Best Acoustic Guitarist (three times) Creative Loafing, Studio Album of the Year (Atlanta Magazine), and Live Album of the year. Her albums Sugar Foot and Debris, released on SBS Records, were both on the Grammy Award ballot for best Contemporary Blues and Best Americana Albums respectively. Her songs have appeared in the films Bam Bam and Celeste, All Over Me, Shotgun Jesus and television programs True Blood, Dawson’s Creek, Felicity, Brooklyn South, have been recorded by Indigo Girls (for which Malone received both gold and platinum records), Antigone Rising, Hannah Thomas, and Vistoso Bosses. Here are a few little known facts about Michelle Malone: Malone has also been featured in a Georgia Tourism TV commercial with Elton John. The Collectible card gameMagic: The Gathering was named in part after her song The Gathering (copyright 1988, Sony Music/Famous Music/Cold Cocked Music).

Michelle has never done anything nice and easy. She bit the major label lure (signed by both Clive Davis and Walter Yetnikoff) and despite promises broken, indulgences and expected excess, Michelle has continued her musical journey into forays of introspective, energetic and award-winning Americana, country blues and rock. This wealth of material has enabled Malone to tour and record for over 20 years, averaging over 150 days a year on the road and making fans all over the world.

The Michelle Malone Banned (Phil Skipper on Bass, Jon Radford on drums, Tim Tucker on Keys and vocals, Trish Land on vocals and Tamborine) is currently touring the USA and abroad in search of the perfect cup of coffee.

Michelle’s live show is not to be missed—she can make the biggest venues seem as cozy as a campfire, and an intimate venue feel like the center of the universe. Michelle Malone has collaborated on stage and/or in the studio with such artists as with blues legends Albert King, Charlie Musselwhite, Johnny Winter, Little Feat, Robert Cray, Keb Mo, Sonny Landreth, Marsha Ball, Lonnie Brooks and Chris Whitley, as well as Indigo Girls, John Mayer, SugarLand, Shawn Mullins, Steve Earle, K.T. Tunstall, Shawn Colvin, Jackson Browne and Joan Osborne, to name a few.

Special Guest, GARETH ASHER, will open the 9:30pm show

On his third independent release, singer-songwriter Gareth Asher is coming to age as a writer, delivering a well-crafted and emotionally charged body of work. This new album is intensified with bold electric guitars, steady driving percussion, and balanced with lush string arrangements provided by members of the Atlanta Symphony Orchestra. Asher recorded the album in home town Atlanta, with clos

e friend and brilliant artist Clay Cook(Marshall Tucker Band, Zac Brown Band) once again producing and mixing.What people are saying about Gareth:”Gareth has the most soulful voice I have ever heard. The first time I heard his music I just had to stop and take it in. I imagine that is what it was like for those who heard Ray Charles or John Lennon for the first time.” – Holly Firfer (92.9 Dave FM On-Air, Atlanta & Company)As a touring artist, Asher has shared the stage with Shawn Mullins, Glen Phillips(o/ Toad the Wet Sprocket), Emerson Hart, Angie Aparo, Corey Smith, Sister Hazel, Collective Soul, 3 Doors Down, Steve Cropper and many more.Born in the small town Bowdon, GA, Gareth Asher was raised on a steady diet of old school funk, rock and soul. Asher attributes many of his musical sensibilities to monumental artists like Stevie Wonder, Phil Collins, and groups like Chicago. As a writer, he respects the work of iconic performing songwriters like Jackson Browne, Otis Redding, and Don Henley and The Eagles.”I feel like my shell is finally cracking, and the best songs are starting to emerge. All my inner most thoughts and emotions are breaking through to the surface, and insisting on a ray of light to shine down upon them”, says Asher.